“Do you illustrate your books too?”

This is a question I was often asked, back when I was meeting with kids in schools and libraries across the country. I told them, “I like to draw but don’t draw well enough to illustrate a book, so publishers hire artists they believe will do a good job.” Sometimes I added, “It took me thirty years to be able to write a book that was good enough to be published. (Red Is Best.) Maybe in another thirty years my drawing will be good enough to be in a book too.”
Well, those next thirty years have passed, and then some, I’m no closer to being able to illustrate a book than I ever was, and it has been a long time since I’ve indulged in the pleasure of drawing. I was reminded of this recently when I was decluttering a room in our basement and came across a large cardboard tube. Inside were pages and pages of sketches, finished drawings, and a few paintings I had done — at the cottage, at home, during classes I took at the AGO when I lived in Toronto, at Wyndham Art Supplies in Guelph, with an artist-friend in Kitchener, and with another artist in Elora.
As I unrolled them — page after page — my hands became dusty with charcoal and pastel chalk. Memories of the fun of applying these media to paper, of easels and of live models came flooding back. More than a few of my creations I quite liked. But what to do with them?
I don’t expect to live where I live now forever. Wherever I go from here will undoubtedly be smaller. It’s unlikely there’ll be space to spare for a big tube of art I might never bother to pull out again. None of what I’d found was something I’d hang on a wall. But throw it all out? Even the most ruthless declutter-er in me balked. I might want to look at it again some day, to remind myself of this chapter of my life.
A dangerous trap, that kind of thinking. It can lead to our keeping all manner of stuff and the longer we live the more stuff we accumulate. So I did what organizers helping people deal with their stuff often suggest. I took photographs of “MY “ART”” (as the big tube was labelled), then into the blue box went the originals — not, I confess, without a few pangs.
Months later, however, no regrets. That part of my life is not gone for having disposed of the physical evidence of it.
A recent blog post by another writer who has pursued an interest in creating visual art, Kristin Butcher — she’s very good — gave me the idea to showcase a few of my pieces here, just for fun.
By the way, the red table you see in some of the photos has also been decluttered. It went to a home where it will be used and much appreciated, instead of gathering dust in mine.
What’s something you had a hard time parting with? How did you bring yourself to do it? Please feel free to leave your answer as a comment! In the meantime, happy decluttering!
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Kathy Stinson is the author of the classic Red Is Best, the award-winning The Man with the Violin, and the GG shortlisted The Rock and the Butterfly. Her wide range of titles includes picture books, fiction, non-fiction, and poetry. She has enjoyed the privilege of meeting with her readers in every province and territory of Canada, in the United States, Britain, Liberia, and Korea. Currently president of CANSCAIP (the Canadian Society of Authors, Illustrators, and Performers), Kathy lives in a small town in southern Ontario.
